Swedish Mikael Svensson is succeeding Norwegian Solveig Sigmond Ræstad in the Nordic commission organisation. Together with the board, he will continue to strengthen Nordic and international networks.
Could Norway possibly already have matched its Oscar from earlier this spring at this year’s Cannes? And is Trier these days Joachim, rather than Lars? Expectations seem anything but low.
Nordic film graduates’ deadline for applying to pitch a project to the Nordic industry and the jury is June 1, while delegates can register until the event is fully booked.
30 years ago, he was contributing to shaking the film world with his debut. Since about 15 years back, he’s the most frequent Cannes Dane, without a single Danish word of dialogue.
NFTVF arranged strategic distribution meetings and a producers’ hub, and collaborated with the International Sámi Film Institute on an important fireside chat.
Göteborg Film Festival’s latest industry foresight study argues that film, TV, streaming and creator-led media now operate as one interconnected ecosystem.
At the Marché du Film, Indigenous film leaders discussed cinema as a tool of cultural sovereignty, cross-border collaboration and resistance in times of geopolitical pressure on the Artic.
The Five Nordics showcase presented five late-stage projects spanning terminal illness, memory, Arctic communities, environmental crime and Black identity.
Meet the pan-Nordic jury: an Oscar-winning documentary producer, an internationally awarded fiction producer, an acclaimed Icelandic actor and scriptwriter, an internationally active Drama Commissioner and a Head of a popular Nordic conference/festival market.
Nordisk Film & TV Fond invites Nordic graduating students to pitch their first professional project at NFTVF's popular industry event Nordic Talents. Apply now!
Half of the films that received support for distribution to other Nordic countries in Q1 are aimed at children and youth, as well as two of the eleven top financed productions.
Danish auteur Refn says he’s a modern-day Hans Christian Andersen, inspired by the globe, but shooting his new film Her Private Hell in Copenhagen; Norway’s Ulven moves from music to acting in Low Expectations.
The Danish Oscar nominee explores complex family and farming dynamics in his first TV show, Harvest, and convinced his starry cast to drive tractors for authenticity.
The Swedish filmmaker spent seven years exploring ideas in A Sweetness From Nowhere, now premiering at CPH:DOX. She calls it a nerve-racking process that envelops everything from disco jellyfish to footage she shot for an abandoned sci-fi film.
After her global hit Hatching, the Finnish writer/director comes to Berlinale Competition with her English-language debut, Nightborn, offering a twisted take on parenthood.
The Oscar nominated co-writer of Sentimental Value describes his collaborative writing process with Joachim Trier; and how he’s writing a new script to “mix Bergman and Hitchcock.”
This successful Faroese producer is now collaborating on Tea Lindeburg’s The Seal Woman as well as fostering local talents and servicing big Hollywood shoots.
The Swedish writer-director works with Nick Cave on her new TV project The Death of Bunny Munro, while also handwriting the script for the first of the new Dogma 25 films, Mr. Nawashi.
The Icelandic filmmaker talks about the spontaneous way he works with his children starring in his two latest films, Joan of Arc and The Love That Remains, and how he enjoyed exploring magical realism for the first time.
Sofie Gråbøl talks about punching Mads Mikkelsen in their new film The Last Viking, acting with Donald Sutherland in her first film and experiencing how the grpundbreaking series The Killing changed the international outlook on Denmark.
The Norwegian documentary We Are Stardust has its world premiere today at Thessaloniki International Documentary Festival. Later this week it will have its Nordic premiere at CPH:DOX.
The Norwegian documentary In Cod We Trust has its world premiere at Thessaloniki International Film Festival today, as well as its Finnish premiere at Tampere Film Festival.